I just have to share this with someone. Anyone. Surely one of the best treatments for depression ever known, this clip is better than Prozac. Stay with it for the full 3 minutes as it just keeps getting better!
Drums, fire, dancing men, dancing men with drums on fire, hallmark Greek 'shake it!' interlude, soloist of undetermined sexuality and vocal range, woman in red dress, traditional throat singing, themes of a underworldly nature. This should be the most sick-makingly contrived piece of Euro-by-numbers ever. After watching it, I'd happily take Gary Glitter and The Twins singing 'Thank Heaven for Little Girls' in Moscow if I could be promised those three precious minutes of Krassimir on the grand stage. Well done that man.
The last 10 years? Ortal, if you are reading this: I haven't forgotten you: Thompson Pense à Toi aaaaoooow. Seriously though I do think that Tellier was exciting: not like anything ever to cross a Eurovision stage and even though he sung in English, the whole way team France approached the contest last year was very, well... French. Kaas is the present day embodiment of the Chanson tradition. It is exciting that an artist of such renown has agreed to do this contest with a song of such quality. My first listen gave me echoes of Brel's 'Ne Me Quitte Pas' and the thought that France will leave Moscow with its dignity intact and not as many points as it deserves. I hope the returning juries see that this is not the case. My second thought is, that over my time watching this contest , as well as some real classy chansons (notably the 2001-2002 double) and a few wobbles in the wilderness (see HMSS Naya ) France, possibly more than any other country has had a knack for throw...
In response to a comment, Portugal's national selection this year is coming up on 2nd March, and I'll try to offer my impressions then... but I can safely say that the only way is up for Portugal in the contest, after a dismal recent run.
Well, I guess they invented it: I just want to say, for the record, that the producers of the Greek national song presentation/selection show must be admired for putting on a live retrospective of THE ENTIRE HISTORY OF EUROVISION split over about 7000 commercial breaks, but it is nearly killing me. If this was Sweden, Sakis would not have given us 4 lip-synched numbers from his back catalogue at the start of the show then disappeared. Rather, he would have banged out the three songs for selection, there would have been a rapid-fire televote and results announcement and we would have everything wrapped up in 30 mins. Instead, it appears that I am doomed to grow old with this ERT production.
Comments
Britney meets Jimmy Somerville, meets Enya meets David D'Or meets Jemini.
Thank you.